She was vital to the genesis and presentation of these ideas, the oversights of which are entirely mine, and I am forever thankful for her ongoing support.
Serial to Cereal in I would sit on the edge of my chair waiting for that moment when he would head to the Storeroom whatever that wasremoving either his hat or his glasses, then leap out of the window to rescue Lois, Jimmy or both, or to capture some nefarious criminals who were dumb enough to set up shop in Metropolis.
I noticed that, whether he was coming or going, Superman nearly always flew in the same direction. And I noticed that, once in awhile, that other Lois Lane would be there, the one with the sarcastic disposition and piercing scream. That Lois was in the older, scarier episodes, where Superman mostly scowled and threw punches that hurt.
Where innocent people were tortured, women were slapped around and blackmailers were left to die on snow-capped mountains. As a child, my favorite Superman was the one who smiled and seemed to enjoy himself.
Serial to Cereal answered a lot of questions, yet as I read and re-read it, I sensed there was more information to be uncovered. For all the admittedly wonderful anecdotes by cast and crew, the book contained very little in the way of production details, or even how the series moved over from radio.
By my late twenties, I was living in Hollywood and found previously undiscovered information at local libraries: All this led to my earliest endeavors to chronicle Superman history.
Indeed, apart from an excellent series of booklets accompanying the official release of various episode collections, the radio show itself had been almost completely ignored by historians. What little that existed was rife with misinformation. There were, in fact, five: In its earliest broadcasts, it aired thrice weekly until Maythen resumed in August at five episodes per week.
A transcribed, minute series, targeted to adults, which aired for 13 weeks on Saturday evenings from October to January over the American Broadcasting Company ABC.
This version mainly re-used scripts from 3 and 4, above.
Copyright Office for registration, separate from the registrations of the actual filmed episodes. Moreover, there were two script titles that did not correspond to any known episodes. In following up at the Library of Congress, I learned that these scripts were still there, in storage, and available for review.
With the Library of Congress find, I could take a similar perspective for a majority of episodes, and devote particular attention to those that seemed more compelling on paper than on screen. First and foremost, I must gratefully acknowledge the people who built the foundation; those whose work precedes my own.
Tollin pretty much stands alone in this field; without his work, the radio chapters of this book would have been a whole lot thinner. A sincere thank you as well to journalist Brian McKernan for allowing me to quote from his interviews with Superman scribe Edward Langley and actor-announcer Jackson Beck; he also proofed the radio section of my manuscript and made several excellent observations.2 thoughts on “ Figure Drawing with Charcoal on Construction Paper law thesis charles essay folly human ludlam opinion ridiculous scourge theater homework now st pete high dissertation english free satirical essay examples human rights essay ideas professional custom writing service essay examinations.
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